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There are a number of crystal clear memories I have of my childhood.
Many of these memories are uncovered when I hear a song I haven’t heard in years (or decades).
One of those memories came back to me this morning while listening to XM44:Fred- the “New Wave” station.
Dad used to be a computer technician, back when computers had to be repaired, via cottering (sp?), instead of having boards changed or replacing the entire unit.
I don’t remember much about his job in particular, except that more often then not, it sucked and made him frustrated.
We always used music as a form of therapy and I clearly remember there’d be times when Dad would BLARE “Birth School Work Death” by The Godfathers, over and over and over and over again, yelling just as vehemently to the first playing as the twenty-seventh.
I remember being at the “School” phase and thinking “Yeah, so what’s the big deal?”.
Now I am at the “Work” phase with a “Death” phase closer then I’d like to acknowledge and now I know what the big deal is.
This is life does not match the “Adulthood is Fun!” pamphlet I was given during childhood.
So I present, for those of you who do not know said song….
“Birth School Work Death” by The Godfathers
Been turned around till I’m upside down
Been all at sea until I’ve drowned
And I’ve felt torture, I’ve felt pain
Just like that film with Michael Caine
I’ve been abused and I’ve been confused4
And I’ve kissed Margaret Thatcher’s shoes
And I been high and I been low
And I don’t know where to go
Birth, school, work, death
Birth, school, work, death
And heroin was the love you gave
From the cradle to the grave
Boys and girls don’t understand
The devil makes work for idle hands
I cut myself but I don’t bleed
‘Cause I don’t get what I need
Doesn’t matter what I say
Tomorrow’s still another day
Birth, school, work, death
Birth, school, work, death
Yeah I been high and I been low
And I don’t know where to go
I’m living on the never never never
This time it’s gonna be forever
I’ll live and die don’t ask me why
I wanna go to paradise
And I don’t need your sympathy
There’s nothing in this world for me
Birth, school, work, death
Birth, school, work, death
Birth, school, work, death
Birth, school, work, death
Birth, school, work, death
Birth, school, work, death
In the summer when I turned 10 (that’d be 19 years ago for those of you playing at home), I was supposed to see Debbie Gibson and Tiffany at the local amusement park.

Fate, as it ends up, was in the air, along with the thunder and lighting and eventual raining out of the event.
So, in the fall, Dad took me to see…

With special guest

Now, this was back in the day of “Arena Rock” (Generational translation: Bands playing, NOT LIP SYNCING, in sold-out areanas where sports are played. Elaborate stage shows, fireworks, fire pillars, giant inflatable props, flshing lights…)
And we’re sitting in the only area where we could get tickets, The Nosebleeds.
“Daddy?”
“Yes hun?”
“Why are those guys behind us sharing a cigarette?”
“Uhhhh…”
And I’m sure he came up with some elaborate story about it (it wasn’t a cigarette as much as it was a joint), much like they first time I found a condom. (“It’s a static bag for my chips for work.”)
Thus, changing the course of my teenage years forever. I wonder what would have happened if I would have seen Debbie and Tiffany instead… I’d probably have a minivan.
I’m listening to “Fred on 44″ which is like a new wave station.
At noon, they have a program called “One Revolution (around the sun)” in which they spotlight a year of music for an hour. Usually pretty cool.
So I’m mindlessly typing away, thinking about when I first heard nine inch nails and I thought “ha ha, that will be weird when that album (which in my case was a tape) will be twenty years old.”
This year, Pretty Hate Machine is 20 years old.
And then it hit me.
I do not feel the need to explain this post any further.
1) A long long time ago (VERY pre-Steve) (say around 1998) when this song first came out, I had just become involved with a new (yet typical) romance.
In fact, I had met this person like two days before I moved into another county. Figuring that things wouldn’t work out, I opted to go on another date with him.
Months later, we’re still dating and I stay over at his house until 4 or 5 in the morning (as I had to drive over an hour to get home and then go to work). Surprisingly, we never (ever) have sex. Really. I mean it. Never.
I’m crazy over this guy, have needs of my own and frankly, while it sounds like something I guy would say, I am tired of things not going anywhere.
So many frustrating nights/mornings, I drive home in the dark listening to Bobcaygeon.
When I hear the song, I still tend to think of Pascal (that was my car’s name) and those long drives home.
2) Steve likes The Hip. We see The Hip. A lot. We’re at a show (was it Boston?) and this totally plastered woman is hollering at her date.
“I’ve seen The Hip like, 100 times and I’ve never heard them play Bobcaygeon!”
Steve and I look at each other knowingly. The Hip almost ALWAYS plays Bobcaygeon; I don’t think she impressed her date.
3) At Hip shows, he seeks me out in the crowd and holds me almost as close as he does to “Ahead by a Century”.
Used to be that The Beatles landmark recording, The White Album, would send me into a catatonic state. (in a bad way).
I have some pretty nasty memories associated with The Beatles in general (as is with the Eagles and Beach Boys) and just listening to them would make me very pensive and quiet.
On the way back from Michigan, XM played the medley of Golden Slumbers and I sung along while Steve slept in the passenger seat. I was surprised that I remembered as many words as I did.
Even though Golden Slumbers isn’t on the White Album, I put it on my iPod anyway. Plus, I’ve had Helter Skelter stuck in my head for weeks now.
Nano gets plugged in to detract from “Big Girls Don’t Cry” and while listening to disc 1, I am filled with new memories.
No longer am I afraid and cowering. The songs take me back to summer, Steve and I listening, no shoes on in the grass, playing catch, chasing Bailey around the yard… instead of filling with apprehension, I am filled with happiness.
Oh, this is nice.
We’re out to dinner, watching the Sabres game, and the restaurant is trying to set ambiance by playing music clips as you would hear them at the arena.
me: Wow, they’ve broken out the KernKraft2000.
him: The what?
me: This song. It’s called Zombie Nation and it’s by KernKraft2000.
him: This song is HORRIBLE! Why is it even in existence? (BTW, he thinks good music stopped being produced after 1975, unless it’s Pink Floyd, Tragically Hip, Pearl Jam or NIN).
me: I-Don’t-Know-Maaarrggo. What’s the point of Castellorizon ?
him: to relax.
me: Well, I guess then that Zombie Nation is created to energize the audience.
him: pppffttt
me, sarcastically: Fine, what about “New Orleans is Sinking”?
him, knowingly: It’s about New Orleans Sinking.
me: And “Careful with that axe Eugene”? And don’t say it’s about someone telling Eugene to be careful with an axe.
him: Ummm, (mumbling)
me: Uh-huh… and “Set the controls for the heart of the sun”?
him: Well, it’s about the Sun. And setting controls for and it’s like a PS3 game, getting the controls into the heart of the sun.
me: You’re lucky you’re so cute.


Peeps is sayin'